【DS-MAX】電車男改めカート男【INNOVAGE】

サラリーはどんな夢をもってるの？年収３００万時代で生き残れる？
それ以上稼げると思ってるの。できないよね？このビジネスで即死であれば、何やっても同じ。
ネガな人間はいつもネガ。ＤＮＡは変えることができないね！ウン子で辞めたら結局ウン子のまま。

いい夢みて、生きていきなさい？

【DS-MAX】電車男改めカート男【INNOVAGE】-part2
http://money4.2ch.net/test/read.cgi/venture/1140941469/l50

そりゃあ年収300万はきついわなw DQNならそうかもな でも経費さっ引いて、年収300万ｵｰﾅｰもごろごろいるだろw そんなやつこそどんな夢みるんだよw 死んどけや

Taylor left again and was replaced by Bill Wyman, formerly of the Cliftons.
Avory also left the group -- he would later join the Kinks -- and the Stones hired Tony Chapman, who proved to be unsatisfactory.
After a few months of persuasion, the band recruited Charlie Watts,
who had quit Blues, Inc.
to work at an advertising agency once the group's schedule became too hectic. By 1963,
the band's lineup had been set, and the Stones began an eight-month residency at the Crawdaddy Club,
which proved to substantially increase their fan base.

It also attracted the attention of Andrew Loog Oldham,
who became the Stones' manager, signing them from underneath Crawdaddy's Giorgio Gomelsky.
Although Oldham didn't know much about music, he was gifted at promotion,
and he latched upon the idea of fashioning the Stones as the bad-boy opposition
to the clean-cut Beatles. At his insistence,
the large yet meek Stewart was forced out of the group, since his appearance contrasted
with the rest of the group. Stewart didn't disappear from the Stones; he became one of
their key roadies and played on their albums and tours until his death in 1985.
With Oldham's help, the Rolling Stones signed with Decca Records,
and that June, they released their debut single,
a cover of Chuck Berry's "Come On." The single became a minor hit, reaching number 21,

and the group supported it with appearances on festivals and package tours.
At the end of the year, they released a version of Lennon-McCartney's
"I Wanna Be Your Man" that soared into the Top 15. Early in 1964,
they released a cover of Buddy Holly's "Not Fade Away," which shot to number three.
"Not Fade Away" became their first American hit, reaching number 48 that spring.
By that time, the Stones were notorious in their homeland.
Considerably rougher and sexier than the Beatles,
the Stones were the subject of numerous sensationalistic articles in the British press,
culminating in a story about the band urinating in public.
All of these stories cemented the Stones as a dangerous, rebellious band in the minds of the public,
and had the effect of beginning a manufactured rivalry between them and the Beatles, which helped the group rocket to popularity in the U.S. In the spring of 1964,
the Stones released their eponymous debut album,
which was followed by "It's All Over Now," their first U.K. number one. That summer,
they toured America to riotous crowds,
recording the Five by Five EP at Chess Records in Chicago in the midst of the tour.

たかだか300も稼げてない奴が偉そうな事言うなよｗ
金を稼ぐのが夢なら、この遊びに将来なんてないのに気付けよ。オーナーが稼げてないのは考えればすぐ分かる事だろ。
あと、オマエのはポジティブじゃなく単なる開き直りｗコネも知恵もないからしがみついてチャンスを待ってんだろうけど、どうにもならないよｗ

By the time it was over,
they had another number one U.K. single with Howlin' Wolf's "Little Red Rooster."
Although the Stones had achieved massive popularity,
Oldham decided to push Jagger and Richards into composing their own songs,
since they -- and his publishing company -- would receive more money that away. In June of 1964,
the group released their first original single, "Tell Me (You're Coming Back),
" which became their first American Top 40 hit. Shortly afterward,
a version of Irma Thomas' "Time Is on My Side" became their first U.S. Top Ten.
It was followed by
"The Last Time" in early 1965, a number one U.K. and Top Ten U.S.
hit that began a virtually uninterrupted string of Jagger-Richards hit singles. Still,
it wasn't until the group released "(I Can't Get No) Satisfaction" in the summer of 1965
that they were elevated to superstars.

Driven by a fuzz-guitar riff designed to replicate the sound of a horn section,
"Satisfaction" signaled that Jagger and Richards had come into their own as songwriters,
breaking away from their blues roots and developing a signature style of big, bluesy riffs and wry,
sardonic lyrics. It stayed at number one for four weeks and began a string of Top Ten singles that
ran for the next two years,
including such classics as "Get off My Cloud," "19th Nervous Breakdown,
" "As Tears Go By," and "Have You Seen Your Mother, Baby, Standing in the Shadow?"
By 1966, the Stones had decided to respond to the Beatles
' increasingly complex albums with their first album of all-original material, Aftermath.
Due to Brian Jones' increasingly exotic musical tastes, the record boasted a wide range of influences,
from the sitar-drenched "Paint It, Black" to the Eastern drones of "I'm Going Home.
" These eclectic influences continued to blossom on Between the Buttons (1967),
the most pop-oriented album the group ever made. Ironically,
the album's release was bookended by two of the most notorious incidents in the band's history. Before the record was released,

918の言うとおりです。オーナーの通帳見たことあるか？絶対見せないよ　ネガだからね　　それにこの遊び（ビジネスとは呼べない）を趣味でやってると、社会にでるのが怖くなってくる。で、夢破れ明日へあぶれてるそんな奴等でここは溢れてるのが、オフィスです

ほんとｵｰﾅｰは、通帳見せそうで、絶対見せてくれなかった なのにいくら入ってるからみせるのヤバいとか言い訳w 口先だけのDQN 学歴の低さをも自慢するw はたから見たら哀れとしか言いようがない 自分のオフィスのｼﾞｭ〜ｽﾗﾝｷﾝｸﾞはちゃんと見ましょうね

the Stones performed the suggestive "Let's Spend the Night Together,
" the B-side to the medieval ballad "Ruby Tuesday," on The Ed Sullivan Show,
which forced Jagger to alter the song's title to an incomprehensible mumble,
or else face being banned. In February of 1967, Jagger and Richards were arrested for drug possession,
and within three months, Jones was arrested on the same charge.
All three were given suspended jail sentences, and the group backed away from the
spotlight as the summer of love kicked into gear in 1967.
Jagger, along with his then-girlfriend Marianne Faithfull, went with the Beatles to
meet the Maharishi Mahesh Yogi; they were also prominent in the international broadcast of the Beatles'
"All You Need Is Love." Appropriately, the Stones' next single,
"Dandelion"/"We Love You," was a psychedelic pop effort,
and it was followed by their response to Sgt.
Pepper, Their Satanic Majesties Request, which was greeted with lukewarm reviews.
The Stones' infatuation with psychedelia was brief.
By early 1968, they had fired Andrew Loog Oldham and hired Allen Klein as their manager.
The move coincided with their return to driving rock & roll,
which happened to coincide with Richards' discovery of open tunings,
a move that gave the Stones their distinctively fat, powerful sound.
The revitalized Stones were showcased on the malevolent single "Jumpin' Jack Flash," which climbed to number three in May 1968.

Their next album, Beggar's Banquet, was finally released in the fall,
after being delayed for five months due its controversial cover art of a dirty, graffiti-laden restroom.
An edgy record filled with detours into straight blues and campy country,
Beggar's Banquet was hailed as a masterpiece among the fledgling rock press. Although it was seen as a return to form,
few realized that while it opened a new chapter of the Stones' history,
it also was the closing of their time with Brian Jones. Throughout the recording of Beggar's Banquet,
Jones was on the sidelines due to his deepening drug addiction and his resentment
of the dominance of Jagger and Richards. Jones left the band on June 9, 1969,
claiming to be suffering from artistic differences between himself and the rest of the band.
On July 3, 1969 -- less than a month after his departure -- Jones was
found dead in his swimming pool. The coroner ruled that it was "death by misadventure,
" yet his passing was the subject of countless rumors over the next two years.
By the time of his death, the Stones had already replaced Brian Jones with Mick Taylor,
a former guitarist for John Mayall's Bluesbreakers. He wasn't featured on "Honky Tonk Women,"
a number one single released days after Jones' funeral,
and he contributed only a handful of leads on their next album, Let It Bleed.

ちゃんと反論できない奴は哀れだなぁwww　こんな英語の文章でスレッド1000を目指し、こんなスレが再びたたないことを願ってる　おまえはもう来なくていいよ　つまらんから
　1000超えても、またスレはたつよ　潰れない限りね

Released in the fall of 1969, Let It Bleed was comprised of sessions with Jones and Taylor,
yet it continued the direction of Beggar's Banquet, signaling that a new era in the Stones' career had begun,
one marked by ragged music and an increasingly wasted sensibility.
Following Jagger's filming of Ned Kelly in Australia during the first part of 1969,
the group launched its first American tour in three years.
Throughout the tour -- the first where they were billed as the World's Greatest Rock & Roll Band ？
the group broke attendance records,
but it was given a sour note when the group staged a free concert at Altamont Speedway.
On the advice of the Grateful Dead, the Stones hired Hell's Angels as security,
but that plan backfired tragically. The entire show was unorganized and in shambles,
yet it turned tragic when the Angels killed a young black man, Meredith Hunter,
during the Stones' performance. In the wake of the public outcry, the Stones again retreated
from the spotlight and dropped "Sympathy for the Devil,
" which some critics ignorantly claimed incited the violence, from their set.

As the group entered hiatus, they released the live Get Yer Ya-Ya's Out! in the fall of 1970.
It was their last album for Decca/London, and they formed Rolling Stones Records,
which became a subsidiary of Atlantic Records. During 1970,
Jagger starred in Nicolas Roeg's cult film Performance and married Nicaraguan
model Bianca Perez Morena de Macias, and the couple quickly entered high society.

As Jagger was jet-setting, Richards was slumming, hanging out with country-rock pioneer Gram Parsons.
Keith wound up having more musical influence on 1971's Sticky Fingers,
the first album the Stones released though their new label. Following its release,
the band retreated to France on tax exile, where they shared a house and recorded a double album,
Exile on Main St. Upon its May 1972 release, Exile on Main St.
was widely panned, but over time it came to be considered one of the group's defining moments.
Following Exile, the Stones began to splinter in two,
as Jagger concentrated on being a celebrity and Richards sank into drug addiction.
The band remained popular throughout the '70s, but their critical support waned.
Goats Head Soup, released in 1973, reached number one,
as did 1974's It's Only Rock 'n' Roll, but neither record was particularly well received.

これがオーナーのすることか　はずかしい

いや〜今日はいいよ！バンバン出た！昨日の分まで取り返したわい

30まいくらい売れた？

オマエ、馬鹿だよ。ホント。全然わかってねーよ。経費を何に使ってるかもわかんないんだよね。
奥をわかんねーのも、まっ、しかたねーよな。クズだから。

ばかばかばかばかばか・・・・・・・しは言いようがねー

新スレは既にたってる！
去年から、訳の分からない英文を貼り付けて、1000スレ目指してる人が
いるみたいけど、新スレは英文禁止らしいから、そっちに書き込もう。
誰か、今まで明らかになった情報をまとめてくれると、もっと注目を浴びると
思う。

売れないのはクズ
営業にもなんねー

辞める人はこの仕事やらないほうがいい

みんなクズになるから・・・

全て嫌がらせの人たち・・こんなのにはなりたくないよね。もう大人だモ！

　　　　　　　　クズどものた・ま・り・ば！

（＾０＾）（＾６＾）　　　　（’０’）（＝０＝）　　　　

（＞ｖ＜）（ｖ０ｖ）（〜０＜）　　　（＊Ｖ＊）（＠０＠）

　　　　（＋０＋）（；−；）　　　Ｃ（？−？）（・ｖ・）

スッゲ〜情報持ってるけど暴露してもいいかな〜

これ絶対スゲ〜と思うよ。でも言ったらバレルかも。それが不安
なんだけど。

937頼む　教えてください

ほんとに？でもバレたらどうするの？

かなりやばいネタ？

ん・・・そうだね。ホントにこわいし、ヤバイ。

何系のネタ？

それ言っただけでわかるから。

そっか　新スレhttp://money4.2ch.net/test/read.cgi/venture/1140941469/l50

　　　｜〈〈〈〈（（（（　（（））））
　　　｜　―――――　（（　（（）））
　　　｜　｜Ｏ＿＿／　　（））））））
　　　／　-−-　　　・　｜｜｜｜Ｔ）_　　　ホントにこわい！！！！
　　／　　＿-_　　　・　｜｜｜　　　｜
　　　　／　　））　　　　｜｜　　　｜　　　　　　　ｙ（：０；）ｙ
　（＿｜＿＿／　　　　　　　|　　　／
　　

そんな怖いネタなんですね

この寂しい自演が痛々しい（つД`）

Taylor left the band after It's Only Rock 'n' Roll,
and the group recorded their next album as they auditioned new lead guitarists,
including Jeff Beck. They finally settled on Ron Wood, former lead guitarist for the Faces and Rod Stewart, in 1976, the same year they released Black n' Blue, which only featured Wood on a handful of cuts.
During the mid- and late '70s, all the Stones pursued side projects,
with both Wyman and Wood releasing solo albums with regularity.
Richards was arrested in Canada in 1977 with his common-law wife Anita Pallenberg for heroin possession. After his arrest,
he cleaned up and was given a suspended sentence the following year.
The band reconvened in 1978 to record Some Girls, an energetic response to punk,
new wave, and disco. The record and its first single,
the thumping disco-rocker "Miss You," both reached number one,
and the album restored the group's image. However, the group squandered that goodwill with the follow-up, Emotional Rescue,
a number one record that nevertheless received lukewarm reviews upon its 1980 release.

Tattoo You, released the following year, fared better both critically and commercially,
as the singles "Start Me Up" and "Waiting on a Friend" helped the album spend nine weeks at number one.
The Stones supported Tattoo You with an extensive stadium tour captured
in Hal Ashby's movie Let's Spend the Night Together and the 1982 live album Still Life.
Tattoo You proved to be the last time the Stones completely dominated the charts and the stadiums.
Although the group continued to sell out concerts in the '80s and '90s,
their records didn't sell as well as previous efforts,
partially because the albums suffered due to Jagger and Richards' notorious mid-'80s feud.
Starting with 1983's Undercover, the duo conflicted about which way the band should go,
with Jagger wanting the Stones to follow contemporary trends and Richards wanting them
to stay true to their rock roots. As a result, Undercover was a mean-spirited,
unfocused record that received relatively weak sales and mixed reviews. Released in 1986,
Dirty Work suffered a worse fate, since Jagger was preoccupied with his fledgling solo career.

Once Jagger decided that the Stones would not support Dirty Work with a tour,
Richards decided to make his own solo record with 1988's Talk Is Cheap.
Appearing a year after Jagger's failed second solo album,
Talk Is Cheap received good reviews and went gold, prompting Jagger and Richards to reunite late in 1988.
The following year,
the Stones released Steel Wheels, which was received with good reviews,
but the record was overshadowed by its supporting tour,
which grossed over 140 million dollars and broke many box office records. In 1991, the live album Flashpoint,
which was culled from the Steel Wheels shows, was released.
Following the release of Flashpoint, Bill Wyman left the band; he published a memoir,
Stone Alone, within a few years of leaving.
The Stones didn't immediately replace Wyman, since they were all working on solo projects;
this time, there was none of the animosity surrounding
their mid-'80s projects. The group reconvened in 1994 with bassist Darryl Jones,
who had previously played with Miles Davis and Sting, to record and release the Don Was-produced Voodoo Lounge.

なんのネタだったんだろう

DJ since 1992, producer since 1996 on F Communications
and creator of his own label since 1998, Galliano always
lived in Valence in the south of France.
With his two first albums « Espaces Baroques » and
« Lives Infinis » released on F Communications,
he turned his search to the links between electronic music,
jazz, African culture and different creative concepts.

Since then, Galliano has a very personal work attitude,
far away from any fashion trends.
With references such different as, art, philosophy,
and many foreign cultures, Galliano stands on a singular position
among the DJ’s producer scene.

Flipping back and forth between the 18th century and the hapless efforts of the
21st century filmakers,
'Tristram Shandy' is the making of a movie adapted from the
notoriously unfilmable English literature masterpiece,
'The Life and Opinions of Tristram Sahndy, Gentlemen,'
written by Laurence Sterne.

The story begins with Tristram Shandy (Steve Coogan)
narrating his life story as he sees it.
Crammed with literary jokes and dark humor,
Shandy's warped childhood tales are
constantly interrupted by his family and household,
inadvertently revealing far more about himself
than any conventional autobiography.

あ

い

あなたが部外者か内部の糞かしらんが、きれいごと言わないで下さいね 人生をもてあそばれた者達がここに集っているのです 行動もしてるがイタチごっこなんです ちなみに私生活はポジティブですから心配なく笑 それだけ憎いってことですよ
あなたが部外者か内部の糞かしらんが、きれいごと言わないで下さいね 人生をもてあそばれた者達がここに集っているのです 行動もしてるがイタチごっこなんです ちなみに私生活はポジティブですから心配なく笑 それだけ憎いってことですよ
あなたが部外者か内部の糞かしらんが、きれいごと言わないで下さいね 人生をもてあそばれた者達がここに集っているのです 行動もしてるがイタチごっこなんです ちなみに私生活はポジティブですから心配なく笑 それだけ憎いってことですよ
あなたが部外者か内部の糞かしらんが、きれいごと言わないで下さいね 人生をもてあそばれた者達がここに集っているのです 行動もしてるがイタチごっこなんです ちなみに私生活はポジティブですから心配なく笑 それだけ憎いってことですよ
あなたが部外者か内部の糞かしらんが、きれいごと言わないで下さいね 人生をもてあそばれた者達がここに集っているのです 行動もしてるがイタチごっこなんです ちなみに私生活はポジティブですから心配なく笑 それだけ憎いってことですよ
あなたが部外者か内部の糞かしらんが、きれいごと言わないで下さいね 人生をもてあそばれた者達がここに集っているのです 行動もしてるがイタチごっこなんです ちなみに私生活はポジティブですから心配なく笑 それだけ憎いってことですよ
あなたが部外者か内部の糞かしらんが、きれいごと言わないで下さいね 人生をもてあそばれた者達がここに集っているのです 行動もしてるがイタチごっこなんです ちなみに私生活はポジティブですから心配なく笑 それだけ憎いってことですよ
あなたが部外者か内部の糞かしらんが、きれいごと言わないで下さいね 人生をもてあそばれた者達がここに集っているのです 行動もしてるがイタチごっこなんです ちなみに私生活はポジティブですから心配なく笑 それだけ憎いってことですよ
あなたが部外者か内部の糞かしらんが、きれいごと言わないで下さいね 人生をもてあそばれた者達がここに集っているのです 行動もしてるがイタチごっこなんです ちなみに私生活はポジティブですから心配なく笑 それだけ憎いってことですよ

糞は糞して寝ろ！ 明日は買わなくて済むね よかったねぇ〜〜

>>957
m9(^Д^)ﾌﾟｷﾞｬｰｰｰｯ

もっと盛り上げろよ、カットちゃん。
何故、このスレが盛り上がってないかわかるかい？

カットちゃんです あ〜明日行きたくねぇなぁ〜って、日曜の夜は思ってた 特に売れない雑貨しかない時ね それをAttitudeで押し売るんだが、正直言って、罪悪感ありました 親切で買ってくれた人が、(そんなの買ってとか)家族に怒られなきゃいいなとかね

【ＤＳ−ＭＡＸ詐欺師ネットワーク】
【北海道】レイジャーラウンジ　レジャーラウンジ　センテルス　スピリタス
【東北】　オーパーツジャパン ホールノート　アローなんとか　　
【北陸】　ボアソルチ　アレフ　　
【関東】　サブライム　ＫＳＣインターナショナル　ルーツ　ダイナミック
　　　　　ビビット　ヴィヴィット　ピーコム　Ｐコム　ニューポート
　　　　　シンクロニシティ　エムズプランニング　グローバルヴィジョン
　　　　　ラッシュ　ＴＫＣ
【中部】　ヴァーウェル メットラーム　マリンランドスケープ
【関西】　ワイズワン シーメンス　ごっつ　チェッカーボード　コンセントレーション
【中国】　ルーキー　ホットショット　M-TOWN エムタウン ルーキー
【四国】　アヴァンティー エスピーリング
【九州】　ブルーナイル サイクロン　ミリオネアなんとか
　　　　　ウィニングエッジ
【沖縄】　ウッドビレッジ　
　　　
【社名不明】富山　旭川　盛岡　岐阜　四日市　熊本　鹿児島
　　　　　　静岡

現役の人たちジュースの最新号から補完してください

追加希望

【関東】エクストリーム大宮　エクストリーム八王子
　　　　進め！パフォーマンス
　　　　ライジングサン（秋葉原）

追加希望

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