青藍の誉れ・泥鍋せんせの有難いお言葉
400 ：Rabbit：
<P>As to the concert programming, it has becoming more and
more colorful,and a good example was shown in the recital
held by Takumi Kubota:it began in Arvo Parto's "Fratres",
next appeared Mozart's Sonata K.304 and Prokofiev's Sonata No,1, after the intermission, Thuille's "Conversio",
Mozart K.378, and "Le Grand Tango" by Astre Piazzolla were
played. Two Austrian composers, Mozarts and Thuille, one
Estonian, another Russian, the other Argentinean. Ten years
ago, no one had an idea of this sort of programming but a
few innovators. Both of the last two works, Parto's and
Piazzolla's were introduced by Gidon Kremer, weren't they ?
Without him, the newwave in violin music might over ten
years be late in coming.It will not be too much to say that
every modern violinist owes pretty much to this innovator,
Gidon Kremer.</P>
more colorful,and a good example was shown in the recital
held by Takumi Kubota:it began in Arvo Parto's "Fratres",
next appeared Mozart's Sonata K.304 and Prokofiev's Sonata No,1, after the intermission, Thuille's "Conversio",
Mozart K.378, and "Le Grand Tango" by Astre Piazzolla were
played. Two Austrian composers, Mozarts and Thuille, one
Estonian, another Russian, the other Argentinean. Ten years
ago, no one had an idea of this sort of programming but a
few innovators. Both of the last two works, Parto's and
Piazzolla's were introduced by Gidon Kremer, weren't they ?
Without him, the newwave in violin music might over ten
years be late in coming.It will not be too much to say that
every modern violinist owes pretty much to this innovator,
Gidon Kremer.</P>
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